Austin State University's Sound Recording Technology program. He is an adjunct professor at NYU's Music Technology department and at Stephen F. Scott received his master's degree in music technology from New York University, where he concentrated his studies on 3D and spatial audio. Musically, he engineers and plays multiple instruments with the bands Hiss Golden Messenger, Family Band, and his own project Dunedin Dunedin. Scott was the supervising sound editor and re-recording mixer on Cannes Film Festival 2012 and SXSW best short winner The Chair, Seattle Film Festival short film winner Mobile Homes, and cult favorite Plagues & Pleasures of the Salton Sea, as well as countless other narrative films and documentaries. He was the sound effects editor on the 2012 feature The Comedy, Sundance 2011 and IFC feature Septien, and Outfest 2013 outstanding screenwriting and best dramatic feature winner, Test. As a sound designer, editor, and mixer for film and video, his selected credits include sound design for the 2013 Tribeca Film Festival special jury mention, Stand Clear of the Closing Doors, and director Jonathan Caouette's short All Flowers in Time. Scott's straightforward approach to teaching professional audio concepts, including applications such as Pro Tools, Logic Pro, and Reason, has brought indispensable knowledge and boundless creativity to his students. Scott Hirsch is a sound designer, an editor and mixer for film and video, a musician, and an audio engineer. NYU professor Scott Hirsch is a sound designer, an editor for film and video, and an audio engineer. In the final chapter, Scott demonstrates some creative production techniques, including doubling vocals, stacking multiple vocal tracks, using Auto-Tune while recording, and methods for harmonizing. Then he delves into the psychological aspects of vocal production, like coaching the singer and giving feedback over the talkback mic. Next, Scott moves directly into recording: positioning the mic, setting levels, and using compression. Scott discusses how to set up a good headphone mix and configure your DAW, and interviews the recording artist featured in the course, Jade Hendrix, about warm-ups and vocal health. Audio engineer Scott Hirsch takes us into his own studio to demonstrate the recording techniques the pros use to get crisp, resonant lead and backup vocals for any genre.įirst, learn how to get the singer comfortable in the recording studio and select the right microphone and preamp for the session. Vocal Production Techniques guides you through the most important steps in recording vocals, regardless of the software or DAW you use. No other instrument has as much power or influence. Vocals carry the hook and capture the emotion of listeners.
Vocals are arguably the most important part of any great-sounding song.
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